Browse & hire professional surface pattern designers for fashion, textiles, interiors & product design.
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Browse & hire professional surface pattern designers for fashion, textiles, interiors & product design.
Alexander Adiels is a Swedish illustrator and pattern designer based in Stockholm. He studied pattern design and painting before establishing a practice spanning licensed wallpaper, fabric, and art prints.
Alexander Adiels is a Swedish illustrator and pattern designer based in Stockholm. He studied pattern design and painting before establishing a practice spanning licensed wallpaper, fabric, and art prints. His patterns are currently distributed through Robin Sprong Wallpapers, Happy Wall and Fabric Bank amongst others, with additional retail presence via Wall of Art and other art print retailers.
Alexander Adiels work bridges figurative and abstract motifs, employing both analog and digital approaches. One of his collections found at Fabric Bank "Laws of a fraction" frames pattern design as a system in which each element plays a role in completing a unified whole - a concept drawing on natural fractals found in plants, animals, and minerals. The portfolio in general features structured, repeating compositions with a controlled graphic sensibility.
Works across both analog drawing/painting and digital production, combining hand-made origins with technically finished repeats. Can also produce vector-ready work for licensing.
Licensing is the primary commercial route. Confirmed licensed clients include Robin Sprong (wallpaper, South Africa), Fabric Bank (fabric, South Africa), Happpy Wall (wallpaper, Sweden) and Cissi & Selma (Swedish womenswear, autumn 2021 and 2025). Art prints are distributed through Wall of Art (Sweden), Pictufy (Sweden), Nomad Art (Spain). Additional illustration work covers music and editorial artwork.
Studied pattern design and painting, then moved into a freelance illustration and pattern design practice. Works primarily from a home studio in Stockholm. Has built a licensed portfolio across wallpaper, fabric, and retail print markets.
The "Laws of a fraction" collection (Fabric Bank, 12 patterns) and the Robin Sprong wallpaper collection (20+ patterns, multiple colorways) represent the two core licensed bodies of work, the other main reseller of wallpaper is Happy Wall. The portfolios features a range of geometric, abstract, and nature-inspired all-over repeats.
I love to draw and use different structures when drawing and painting. The approach is the same even if I start analog or digitally in Procreate or Affinity for example. I would never use AI when it comes to anything creative or artistic. I don´t see it as a big threat as long as people declare what they use but my work will always be 100% made by me. With modern digital tools like iPads, scanners, Affinity etc there is no need for AI to create in my opinion.
Alexander Adiels is a Swedish illustrator and pattern designer based in Stockholm. He studied pattern design and painting before establishing a practice spanning licensed wallpaper, fabric, and art prints.
Alexander Adiels work bridges figurative and abstract motifs, employing both analog and digital approaches.
The "Laws of a fraction" collection (Fabric Bank, 12 patterns) and the Robin Sprong wallpaper collection (20+ patterns, multiple colorways) represent the two core licensed bodies of work, the other main reseller of wallpaper is Happy Wall.
Licensing is the primary commercial route. Confirmed licensed clients include Robin Sprong (wallpaper, South Africa), Fabric Bank (fabric, South Africa), Happpy Wall (wallpaper, Sweden) and Cissi & Selma (Swedish womenswear, autumn 2021 and 2025).
Works across both analog drawing/painting and digital production, combining hand-made origins with technically finished repeats. Can also produce vector-ready work for licensing.
Alexander Adiels is associated with Self-employed, freelance.
Alexander Adiels works in affinity, procreate, adobe photoshop, and adobe fresco.
I love to draw and use different structures when drawing and painting. The approach is the same even if I start analog or digitally in Procreate or Affinity for example. I would never use AI when it comes to anything creative or artistic.